Indoor boutique festivals - a new trend, or not? What’s the buzz? And is it even worthwhile to run
an indoor event like that? What are the pros and cons? Challenges and opportunities?
With a growing festival market in Europe and beyond, it’s getting harder to stick out. Is the growth
spotted by the bigger multinational corporations, and is there a threat from those organizations?
Would they need to change their strategy, since sometimes full line-ups are built on a minor part of
headliners? Are headliners even a thing? Or are the events tied to venues and will they forever keep independent as it’s the ambiance that sells?
Mod: José Carlos Santos (The Devil’s Mouth, PT)
Freek Koster (Soulcrusher, NL)
André Mendes (Amplifest, PT)
Gavin McInally (Damnation, UK)
Read more about the speakers here